Writer, activist and actor Audra Williams drops by to share her love and admiration for Judy Holliday’s Oscar-winning performance in George Cukor’s Born Yesterday — and to discuss how the ethical awakening of Billie Dawn worked as an anchor in her own life. Your genial host Norm Wilner is always up for a comedy with a philosophical core.
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Writer, producer and director Erin Berry — whose second feature Majic just had its Canadian premiere at the Blood in the Snow festival in Toronto — celebrates the 35th anniversary of Dune, the David Lynch epic that was supposed to be Universal’s big Christmas event picture of 1984, and decidedly was not. Your genial host Norm Wilner double-checked the correct pronunciation of “Arrakis” for this.
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Filmmaker Matt Gallagher — whose award-winning documentary Prey makes its network and streaming premiere on TVOntario and TVO.org tonight, Tuesday November 19th, at 9 pm — chooses Bennett Miller’s 2011 sports drama Moneyball, the one where Brad Pitt and Jonah Hill reinvent baseball with statistics. Your genial host Norm Wilner is not a sports guy, which may explain the preceding synopsis.
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Journalist turned writer (Seinfeld‘s “The Fusilli Jerry”), producer (First Round Down) and distributor (Unobstructed View) Jonathan Gross drops in to discuss his very personal connection to Garry Marshall’s 1984 dramedy The Flamingo Kid, the one where Matt Dillon is a Brooklyn kid who takes a summer job as a Long Island cabana boy. Your genial host Norm Wilner is willing to hear the spiel.
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Producer and director Roland Emmerich — you know, the guy who made Stargate, Independence Day and The Day After Tomorrow, and whose new WWII picture Midway opens everywhere this Friday, November 8th — takes some time out of the Midway press tour to talk about Steven Spielberg’s 1977 first-contact epic Close Encounters of the Third Kind, which literally changed the course of his life and career. Fun fact: Your genial host Norm Wilner had the same experience.
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It’s our 250th episode, and it’s Halloween, so what better time for sibling filmmakers Brett and Drew Pierce — in town to screen their new chiller The Wretched at the Toronto After Dark Film Festival — to celebrate Tom Holland’s delightful 1985 creature feature Fright Night, the one where poor Charley Brewster can’t get anyone to believe his suave new neighbor is a bloodsucking fiend. Your genial host Norm Wilner hopes you like the new theme song. And also horror movies.
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Writer/director Patrick Wang (In the Family, The Grief of Others) is one of the best American filmmakers working today; with his brilliant two-part drama A Bread Factory newly available on digital and coming to disc next month, he’s here to praise the unique beauty of Electra Glide in Blue, James William Guercio’s 1973 procedural starring Robert Blake as a motorcycle cop with an unbending moral code. Your genial host Norm Wilner did not see this one coming.
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Munro Chambers has two movies out right now: Jovanka Vuckovic’s Riot Girls, which dropped on VOD earlier this month, and Rob Grant’s Harpoon, now playing at the Carlton Cinemas in Toronto and also newly on iTunes. Munro would also like to share his love for what Robert Zemeckis and Tom Hanks accomplished with their 2000 survival drama Cast Away. Your genial host Norm Wilner is on the same page.
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Actor and filmmaker Deragh Campbell — who is devastatingly good in Kazik Radwanski’s Anne at 13,000 Ft., and whose latest collaboration with Sofia Bohdanowicz, MS Slavic 7, opens this Thursday in Toronto at the TIFF Bell Lightbox — ponders the intimate ambiguities of Les Rendez-vous d’Anna, Chantal Akerman’s 1978 film about a Belgian director traveling around Europe with her latest picture. Your genial host Norm Wilner is eager to see where this goes.
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