Journalist turned writer (Seinfeld‘s “The Fusilli Jerry”), producer (First Round Down) and distributor (Unobstructed View) Jonathan Gross drops in to discuss his very personal connection to Garry Marshall’s 1984 dramedy The Flamingo Kid, the one where Matt Dillon is a Brooklyn kid who takes a summer job as a Long Island cabana boy. Your genial host Norm Wilner is willing to hear the spiel.
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Producer and director Roland Emmerich — you know, the guy who made Stargate, Independence Day and The Day After Tomorrow, and whose new WWII picture Midway opens everywhere this Friday, November 8th — takes some time out of the Midway press tour to talk about Steven Spielberg’s 1977 first-contact epic Close Encounters of the Third Kind, which literally changed the course of his life and career. Fun fact: Your genial host Norm Wilner had the same experience.
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It’s our 250th episode, and it’s Halloween, so what better time for sibling filmmakers Brett and Drew Pierce — in town to screen their new chiller The Wretched at the Toronto After Dark Film Festival — to celebrate Tom Holland’s delightful 1985 creature feature Fright Night, the one where poor Charley Brewster can’t get anyone to believe his suave new neighbor is a bloodsucking fiend. Your genial host Norm Wilner hopes you like the new theme song. And also horror movies.
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Writer/director Patrick Wang (In the Family, The Grief of Others) is one of the best American filmmakers working today; with his brilliant two-part drama A Bread Factory newly available on digital and coming to disc next month, he’s here to praise the unique beauty of Electra Glide in Blue, James William Guercio’s 1973 procedural starring Robert Blake as a motorcycle cop with an unbending moral code. Your genial host Norm Wilner did not see this one coming.
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Munro Chambers has two movies out right now: Jovanka Vuckovic’s Riot Girls, which dropped on VOD earlier this month, and Rob Grant’s Harpoon, now playing at the Carlton Cinemas in Toronto and also newly on iTunes. Munro would also like to share his love for what Robert Zemeckis and Tom Hanks accomplished with their 2000 survival drama Cast Away. Your genial host Norm Wilner is on the same page.
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Actor and filmmaker Deragh Campbell — who is devastatingly good in Kazik Radwanski’s Anne at 13,000 Ft., and whose latest collaboration with Sofia Bohdanowicz, MS Slavic 7, opens this Thursday in Toronto at the TIFF Bell Lightbox — ponders the intimate ambiguities of Les Rendez-vous d’Anna, Chantal Akerman’s 1978 film about a Belgian director traveling around Europe with her latest picture. Your genial host Norm Wilner is eager to see where this goes.
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Her first feature Riot Girls just arrived on VOD in the US and Canada today, so filmmaker Jovanka Vuckovic is here to throw down for the scrappy splatterpunk brilliance of Kathryn Bigelow’s 1987 horror Western Near Dark. Your genial host Norm Wilner is more than happy to ride shotgun.
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Her new novel Watching You Without Me is released today, so Giller Prize-winning author Lynn Coady — who’s also worked as a writer and producer on Orphan Black, Burden of Truth and Diggstown — is here to talk about the very specific pleasures of Wait Until Dark, the 1967 thriller that pits Audrey Hepburn against Alan Arkin in a battle of wits, and also acting styles. Your genial host Norm Wilner always makes sure his freezer is defrosted.
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ICYMI: Earlier this week, your genial host Norm Wilner appeared on The Big Story to take Jordan Heath-Rawlings through the themes of this year’s Toronto International Film Festival … and, inevitably, talk about that new Joker movie. Listen and enjoy, and subscribe to The Big Story and other Frequency shows wherever you get your podcasts!
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