Li Dong on Ocean’s Eleven



His first feature Stealing School just landed on digital and on demand, and writer-director Li Dong is here to talk about Steven Soderbergh’s Ocean’s Eleven, in which the recent Oscar winner and his very famous friends respun the Rat Pack caper picture into cinematic cotton candy. Your genial host Norm Wilner hopes you’ll buy in.


Aisling Chin-Yee on Do the Right Thing



With her feature debut The Rest of Us arriving on digital and on demand today, producer-director Aisling Chin-Yee is here to explore the life-changing impact of Spike Lee’s masterpiece Do the Right Thing — a film that’s sadly just as relevant now as it was 31 years ago. Your genial host Norm Wilner is here to listen.


Nancy Kelly and Kenji Yamamoto on L’Enfant



With the new 4K restoration of their 1991 drama Thousand Pieces of Gold finally available on disc and digital, filmmakers Nancy Kelly and Kenji Yamamoto have some free time to discuss the simplicity and intensity of L’Enfant, the 2005 drama from Jean-Pierre and Luc Dardenne starring Jeremie Renier as a young father trying to correct a terrible mistake. Your genial host Norm Wilner is here to help them through it.


Keir Gilchrist on Cave of Forgotten Dreams



Actor Keir Gilchrist (United States of Tara, It Follows, Atypical, the new drama Castle in the Ground) indulges his love of archaeology with Werner Herzog’s Cave of Forgotten Dreams, a 3D look at French cave paintings that is, at its heart, still a Werner Herzog project. Your genial host Norm Wilner is happy to explore its depths.


Bruce McDonald on Quadrophenia



With his new feature Dreamland premiering on digital and on demand in Canada this Friday, May 29th — and in the US on June 5th — filmmaker Bruce McDonald joins us to talk about Quadrophenia, and how The Who’s kitchen-sink midnight movie set him on a course to create his own cinema. Your genial host Norm Wilner still doesn’t understand why those scooters need so many side mirrors.


Brendan Gall on Magnolia



Actor, writer and producer Brendan Gall (Blindspot, The Go-Getters, Friday’s new Netflix comedy The Lovebirds) is here to stand up for Paul Thomas Anderson’s Magnolia, the 1999 ensemble drama that remains unmatched in its scope — and its emotional intensity. Your genial host Norm Wilner is mostly here to talk about the frogs.


Shane Belcourt on Her



With his charming new film Red Rover landing on digital and on demand in the US and Canada today, director Shane Belcourt is here to talk about Spike Jonze’s Her, a movie that more or less predicted our present moment back in 2013 — and is still, somehow, ahead of its time. Your genial host Norm Wilner believes this was the performance that should have got Joaquin Phoenix his Oscar, by the way.


Jeff Barnaby on Bram Stoker’s Dracula



Writer-director Jeff Barnaby — whose Mi’kmaq zombie thriller Blood Quantum is now available on demand in Canada and streaming on Shudder in the rest of the world — embraces the pulpy Victorian horror of Francis Ford Coppola’s 1992 spectacle Bram Stoker’s Dracula with the pure heart of a fan. Your genial host Norm Wilner did not see this one coming.


Amy Jo Johnson on Captain Fantastic



Actor turned filmmaker Amy Jo Johnson — whose spiky second feature Tammy’s Always Dying debuts on VOD this Friday, May 1st — joins us to discuss Matt Ross’ Captain Fantastic, the 2016 road movie-slash-family drama that earned Viggo Mortensen his second Oscar nomination, introduced American audiences to a lad named George MacKay and started Amy Jo on the path to making her own stuff. Your genial host Norm Wilner is ready to take the ride.


Barry Sonnenfeld on The Long Goodbye



For our first isolation episode, Barry Sonnenfeld — cinematographer (Raising Arizona, When Harry Met Sally …), director (Get Shorty, Men in Black) and now author (Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker) — joins us from Telluride to talk about The Long Goodbye, Robert Altman’s woozy 1973 spin on Raymond Chandler’s hard-boiled detective novel. Your genial host Norm Wilner was surprised at how well the whole remote-recording thing turned out.